September 2010
He who does not understand your silence will probably not understand your words.
– Elbert Hubbard (via quote-book)
The key question to keep asking is, Are you spending your time on the right...
– Randy Pausch (via kari-shma)
Whenever you want to achieve something, keep your eyes open, concentrate and...
– Paulo Coelho (via kari-shma)
Have the courage to be alone.
happythings:
incapacityinc:
I pity people who can’t be alone. Solitude is the most important thing in life, if you ask me. You need to be able to be alone. When I am alone, I come up with new, creative ideas. When I am with other people I end up thinking what they think, I end up doing what they do. My father once told me: “If you walk after the herd, you walk through the shit.” It is not...
5 Life Lessons From High School Movies →
retrocket:
THE BREAKFAST CLUB (1985) “We’re all pretty bizarre. Some of us are just better at hiding it, that’s all.” - Andrew Clark (Emilio Estevez) HEATHERS (1989) “If you were happy every day of your life you wouldn’t be a human being. You’d be a game-show host.” - Veronica Sawyer (Winona Ryder) 10 THINGS I HATE ABOUT YOU (1999) “Just because you’re beautiful doesn’t mean you can treat...
"You don't know how lovely you are."
happythings:
cuehappiness: (via nevertrustajunkie)
You should never give yourself a chance to fall apart because, when you do, it...
– Eat. Pray. Love by Elizabeth Gilbert (via quote-book)
Human beings are funny. They long to be with the person they love but refuse to...
– Sigmund Freud (via danielac) (via quote-book) (via lovebot) (via iheartlove) (via missmaes)
You are what you love, not what loves you. That’s something I learned a long...
– Adaptation (via kari-shma)
Sometimes someone just means so much to you, that not even the truth can change...
– Neil Gaiman (via aliengoo)
Never part without loving words to think of during your absence. It may be that...
– Jean Paul Richter (via strawberrysundays) (via happythings)
saving paper.: Calvin: The hard part for us... →
savingpaper:
Calvin: The hard part for us avant-garde post-modern artists is deciding whether or not to embrace commercialism. Do we allow our work to be hyped and exploited by a market that’s simply hungry for the next new thing? Do we participate in a system that turns high art into low art so it’s better…